Codepage performs a live coding concert with their own software, gravel, which controls its internal synthesis and sample processing (implemented with Csound), as well as an external modular synthesizer via MIDI.
blog4
A blog by Aalborg medialab, label and publisher block 4 http://www.block4.com Amongst the block 4 artists are Tina Mariane Krogh Madsen and Malte Steiner, whose work ranges from visual art, performance to sound and experimental music. The electronic music goes from Industrial via IDM to Noise, including projects like Notstandskomitee, TMS, Elektronengehirn, codepage, Akustikkoppler and Das Kombinat. This blog also bring news about synthesizers, media art,3D, free open source software and more.
Tuesday, March 12, 2024
codepage concert video
The video of the codepage live coding concert at the Helsinki Algorave data leap at WHS Teatteri Union on 1. March 2024 is online:
Codepage performs a live coding concert with their own software, gravel, which controls its internal synthesis and sample processing (implemented with Csound), as well as an external modular synthesizer via MIDI.
Performers Tina Mariane Krogh Madsen and Malte Steiner operate their laptops, which are synchronized via network cable. The screens are projected in an overlapping manner. They start from an empty canvas, typing the code in real-time, which generates the sequences. Additionally, Steiner plays a touch-controlled synthesizer he recently built.
Labels:
codepage,
concert,
Csound,
Helsinki,
IDM,
Industrial,
live coding,
modular,
Tina Mariane Krogh Madsen
Tuesday, March 5, 2024
Thursday, February 29, 2024
codepage at Algorave data leap Helsinki
The livecoding project codepage opens the Helsinki Algorave data leap 1. March 18:00 at WHS Teatteri Union.
https://teatteriunion.fi/elokuva/data-leap/
https://teatteriunion.fi/elokuva/data-leap/
Sunday, February 18, 2024
codepage concerts Finland
Saturday, February 17, 2024
new Elektronengehirn album Hardware
Elektronengehirn released a new album Hardware on block 4, as download and first time for Elektronengehirn since the 2001 album e/a, in physical form as CD, as hardware.
Malte Steiner initiated Elektronengehirn in 1996 as an experiment to create music exclusively using software-based sound synthesis. Elektronengehirn is an old-school term from the 60s for computers, when they were referred to as electronic brains. What sounds trivial today was, back then, a pretty radical idea, especially when one lacked access to the computational resources of institutions like universities. Computer sound synthesis for the masses was in its infancy, and not much was possible in real time. Initially, Steiner used Csound in non-real-time mode to create complex soundscapes. Later, with more powerful computers, he also employed Pure Data and Max/MSP, which both run strictly in real time.
Meanwhile, block 4 studio added more and more hardware, like the ever-growing Eurorack Modular system since 2002. It became silly to ignore all the equipment and not incorporate it into the electro-acoustic world of Elektronengehirn. With the album 'Hardware,' it was time to break with the original concept and combine all the possibilities: software and hardware, digital and analog, virtual and physical.
Malte Steiner initiated Elektronengehirn in 1996 as an experiment to create music exclusively using software-based sound synthesis. Elektronengehirn is an old-school term from the 60s for computers, when they were referred to as electronic brains. What sounds trivial today was, back then, a pretty radical idea, especially when one lacked access to the computational resources of institutions like universities. Computer sound synthesis for the masses was in its infancy, and not much was possible in real time. Initially, Steiner used Csound in non-real-time mode to create complex soundscapes. Later, with more powerful computers, he also employed Pure Data and Max/MSP, which both run strictly in real time.
Meanwhile, block 4 studio added more and more hardware, like the ever-growing Eurorack Modular system since 2002. It became silly to ignore all the equipment and not incorporate it into the electro-acoustic world of Elektronengehirn. With the album 'Hardware,' it was time to break with the original concept and combine all the possibilities: software and hardware, digital and analog, virtual and physical.
Labels:
Bandcampfriday,
CD,
Csound,
Electroacoustic,
Elektronengehirn,
Max/MSP,
modular,
Noise,
Pure Data,
releases
Wednesday, February 14, 2024
Tina Mariane Krogh Madsen exhibition Titanik Turku (FI)
Tina Mariane Krogh Madsen opens her new exhibition The Wall Beneath the Street at Titanik in Turku (FI) the 15. February 2024 17:00. The exhibition runs till the 10. March and in this time some events are planned, like a codepage concert on the 24. February and a listening walk on the 10. March.
More at
https://www.titanik.fi/madsen/
Tuesday, January 9, 2024
Italian microinterview with Notstandskomitee
for the Italien speakers of my contacts, a microinterview as Notstandskomitee with Luponair:
https://luponair.wordpress.com/2023/12/15/micro-intervista-notstandskomitee-3
https://luponair.wordpress.com/2023/12/15/micro-intervista-notstandskomitee-3
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