Thursday, November 14, 2019

new remix

Recently I done a remix as Notstandskomitee for my french friends:


https://hammersteinwaldteufel.bandcamp.com/album/make-me-joy

Thursday, October 24, 2019

more performanceart in October

This Saturday in Aalborg:

Tina Mariane Krogh Madsen will continue her collaboration with artist Sall Lam Toro and their performance DECONSTRUCTING, DISTORTING, QUEERING DREAMS at the Fertilizer Festival at Studenterhuset in Aalborg (DK) on October 26th. 2019.
DECONSTRUCTING, DISTORTING, QUEERING DREAMS interweaves performance art, interaction, video, sound and movement, with live coding and online streaming. The project is rooted in the breakdown of stereotypical notions of place, their heritage, codes, and environment. It wishes to shift the perception of center and periphery through the creation of art with distribution as strategy. The project has an experimental format that links more sites together. These interactions are streamed live into Studenterhuset’s great concert hall and merges with Madsen's sonic universe. The performance has a duration of 60 minutes.




https://studenterhuset.dk/fertilizer/

The event is curated by Danish Vaishyas, Bait and Kamilla Mez.

Wednesday, October 16, 2019

essay "Body Interfaces - Becoming Environment"

Tina Mariane Krogh Madsens essay "Body Interfaces - Becoming Environment" is featured in the hertech issue of Women Eco Artist Dialog, guest edited by Dr. Praba Pilar.

Friday, October 4, 2019

performances in October

Tina Mariane Krogh Madsen and Malte Steiner will do a collaborate unamplified sound performance as a part of the PAB Open 2019 at Hotel Terminus in Bergen (NO) organised and curated by Performance Art Bergen. The performance will be on October 5 and 6.

About the performance “relation[site]sounding”:

Two performers are interacting with and searching for sounds within the hotel room. The focus is on the sounding of objects and the relations they create in the space. There is no amplification. There will be action and silence. The performers and all elements should be regarded as an assemblage of vibrant matter. Becoming, relating, affecting. Within the performance there will be a shift in dynamics both between the performers and in the actions. Only elements already in the room are used.


Event and program on PAB-website: https://performanceartbergen.no/en/program-overview/pab-open-19/

Facebook event: https://www.facebook.com/events/2412717008976490/



Tina Mariane Krogh Madsen will do the solo installation and performance BB [02/19] at Art Room 1000fryd, Kattesundet 10 (on the 1st floor), 9000 Aalborg (DK).
The installation will run from October 9-11.2019
Performance on October 9 at 16.30.

Blue Blood was an art installation created for the first floor of 1000fryd for the Culture Night October 11, 2002. Seventeen years later this material is to be re-visited in the same room that houses Art Room 1000fryd today. The project is thus site-specific and for this actualization and de/reconstruction dependent on this specific space.

In its original form Blue Blood was also a deconstruction, a reinterpretation of identity and gender roles as we know them. The installation was part of a series of art projects working with the rewriting of normative ideals. Now this narration needs to be shaken again. The original installation should here be regarded as the main text whose elements are discussed through their de/reconstruction. Meanings are broken down and new connections emerge where fragments from previous appearances and dialogues create new dissonances and resonances.



BB [02/19] is in its new form a dynamic entity. The actual de/reconstruction will be performed as an opening performance whose duration is dictated by its process. It is an essential part of the transformation that all elements are seen as active agents in a dialogue, in a new state of becoming.The performance consists of several smaller actions which are ritualistic, transformative and expressive. There will be a natural improvisational approach to working with the different elements.

The remains will be installed in the room for the next two days, along with the sound of the opening performance and its actions. Here an interaction occurs between the action itself (which is in the past, the ephemeral) and the performance document as installation (the traces of both the deconstruction and the original installation). This dual reference raises questions to what happens during the reactivation of artistic material, where a historical relation is created to the artist’s practice, both then and now.


Link to event on 1000fryd website: http://1000fryd.dk/index.php?ufo=koncert&id=4755&new=true

Facebook event: https://www.facebook.com/events/2499103256825128/




Thursday, October 3, 2019

free Notstandskomitee single

In times of chaos and corruption here an exclusive, calmer track by my project Notstandskomitee as free single. Full album comes soon, on cassette and download.

Thursday, September 26, 2019

recording of the Elektronengehirn concert 18.September Berlin


Elektronengehirn concert 18. September 2019 at Experimentik Berlin, Germany, performing piece for modular synthesizer and real estate data. It is part of the art project The Big Crash. For the soundpiece Malte Steiner created a software which harvest real estate websites for their ads to gather pictures and prices. The pictures are analyzed with Machine Learning software performing an image segmentation and object recognition. The resulting fragments are used in further artpieces of The Big Crash but also serve here as controldata for additive synthesis. The prices and squaremeters of the advertised Berlin flats are used to control an analog modular synthesizer.
Recording and picture by Seiji Morimoto

Monday, September 16, 2019

Elektronengehirn Berlin concert 18.September

On wednesday the 18. September I will perform the first time my piece for modular synthesizer and real estate data with my project Elektronengehirn. The concert will be at Experimentik Berlin, Germany. It is part of my art project The Big Crash. For the soundpiece I created a software which harvest real estate websites for their ads to gather pictures and prices. The pictures are analyzed with Machine Learning software performing an image segmentation and object recognition. The resulting fragments are used in further artpieces of The Big Crash but also serve here as controldata for additive synthesis. The prices and squaremeters of the advertised Berlin flats are used to control an analog modular synthesizer.